I mainly work with painting, but I try to treat the body at work as a problem and as a visual and sensorial possibility, which leads me to try different language experiments, formats, invoices and supports in the painting that look like a Sculptural thought, for example. The paintings germinate from drawings I make of memories, invented situations or, sometimes, images that dialogue with the history of art. The situations in which the body is in a place of fall, slips, deformations are recurrent.
I am looking for a juxtaposition of things: cuts, three-dimensional objects, processes of alteration and deformation of the image, are things that escape the attempt to establish a linear or closed narrative in my production.
Graduated in Visual Arts from the Federal University of Paraná - UFPR, where she also participated in the Extension Project in Visual Arts under the orientation of Geraldo Leão. In 2016 she was selected for the Zaratan Arte Contemporânea art residency program in Lisbon, Portugal and also selected for the New Poetry edict that contemplated students of visual arts from all over Brazil. In 2017 she participated in the exhibition The Vastness of Maps in MON (Oscar Niemeyer Museum) curated by Agnaldo Farias with 3 works. In early 2017 she was nominated by the magazine Amarello as one of the prominent names of the new generation in the publication "Class of 2017".
Participated in 2017 of the group of practical investigations in painting under the guidance of Regina Parra and Rodolpho Parigi in São Paulo and also of the Visual Arts Center SESI under the leading of Ricardo Basbaum. In 2018 he participates in the exhibition project Poetic Confluences of SESC Paço da Liberdade in Curitiba together with three other prominent artists in the local art scene.